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This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of 'manuscripts' to the larger perspective of 'written artefacts'.
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The application of statistical techniques to the study of manuscript books, based on the analysis of large data sets acquired through the archaeological observation of manuscripts, is one of the most original trends in codicological research, aiming not only to reconstruct on a sound basis the methods and processes used in book manufacture and their tendential evolution in space and time, but also to interpret them as the result of a dynamic interplay between various and often incompatible needs (of cultural, technical, social and economic nature) that book artisans had to reconcile in the best possible way. The present collection of essays in English translation was guided by the desire to offer a multifarious well-articulated picture of the application of statistical methodology to the various aspects of manuscript production, namely analysis of materials, characterization of book types, manufacturing techniques, planning and use of layout characterization of scripts and scribal habits. The volume aims to present to a wider readership a series of significant papers which have appeared over the last fifteen years, by means of which the statistical approach continues to demonstrate its vast potential.
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Some manuscripts have been produced for the personal use of their scribe only; whereas a number of them are valued as autographs, most have been ephemeral and were discarded. Personal manuscripts were not written for a patron, commissioner, or client. They are personal copies, anthologies, florilegia, personal notes, excerpts, drafts and notebooks, as well as family books, accountancy notebooks and many others; these forms often being mixed with one another. This volume introduces a number of such manuscripts in a comparative perspective, from Japan to Europe through the Middle East, with a focus on the Near and Middle East. The main concern is the possibility of identifying typical features of such manuscripts in terms of materials, visual organization and content. In attempting this, both the conditions of production and traces of the manuscripts' use are taken into consideration, with particular attention to their material aspects.
Autograph. --- Manuscripts. --- Codicology.
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Medieval manuscripts combining multiple languages, whether in fusion or in collision, provide tangible evidence for linguistic and cultural interactions. Such encounters are documented in this volume through case studies from across Europe and Asia, all the way from Ireland to Japan, exploring the creativity of medieval language use as a function of cross-cultural contact and fluidity in this key period of nation-formation (9th-14th centuries CE).
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"This volume focuses on the status of research on Hebrew manuscript culture and includes manuscripts written in other Jewish scripts or languages such as Aramaic, Judaeo-Arabic or Yiddish. The work spans 16 academic papers dealing with the state of the art in areas such as codicology and palaeography, manuscript and book collections, illuminations and fragments, and the material analysis of manuscripts"-- Provided by publisher.
Codicology --- Jews --- Manuscripts, Hebrew --- Manuscripts
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Some manuscripts have been produced for the personal use of their scribe only; whereas a number of them are valued as autographs, most have been ephemeral and were discarded. Personal manuscripts were not written for a patron, commissioner, or client. They are personal copies, anthologies, florilegia, personal notes, excerpts, drafts and notebooks, as well as family books, accountancy notebooks and many others; these forms often being mixed with one another. This volume introduces a number of such manuscripts in a comparative perspective, from Japan to Europe through the Middle East, with a focus on the Near and Middle East. The main concern is the possibility of identifying typical features of such manuscripts in terms of materials, visual organization and content. In attempting this, both the conditions of production and traces of the manuscripts’ use are taken into consideration, with particular attention to their material aspects.
LITERARY CRITICISM / General. --- Manuscript. --- autograph. --- codicology. --- draft.
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Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of 'manuscript studies' has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.
Codicology. --- Manuscriptology --- Bibliography --- Manuscripts --- Cultural Studies. --- Manuscripts. --- Philology.
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The application of statistical techniques to the study of manuscript books, based on the analysis of large data sets acquired through the archaeological observation of manuscripts, is one of the most original trends in codicological research, aiming not only to reconstruct on a sound basis the methods and processes used in book manufacture and their tendential evolution in space and time, but also to interpret them as the result of a dynamic interplay between various and often incompatible needs (of cultural, technical, social and economic nature) that book artisans had to reconcile in the best possible way. The present collection of essays in English translation was guided by the desire to offer a multifarious well-articulated picture of the application of statistical methodology to the various aspects of manuscript production, namely analysis of materials, characterization of book types, manufacturing techniques, planning and use of layout characterization of scripts and scribal habits. The volume aims to present to a wider readership a series of significant papers which have appeared over the last fifteen years, by means of which the statistical approach continues to demonstrate its vast potential.
LITERARY CRITICISM / General. --- Manuscript studies. --- codicology. --- manuscript cataloguing. --- palaeography.
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"In 2008, an international team of climbers discovered a large collection of Tibetan manuscripts in a cave complex called Mardzong, in Nepal's remote Mustang district. The following year, the entire cache-over five thousand folios from some sixty different works of the Buddhist and Bön religions, some more than seven centuries old-were removed to the safe keeping of a monastery, where they were later examined by experts from different disciplines. This book is the result of their findings. The authors present what they have been able to discover about the content of these manuscripts, their age, the materials with which they were made, the patrons who commissioned them and the scribes and artists who created them. Contributors include: Agnieszka Helman-Ważny, Charles Ramble, Nyima Drandul Gurung, Naljor Tsering, Sarah Skumanov, Emilie Arnaud-Nguyen and Bazhen Zeren"--
Manuscripts, Tibetan --- Codicology --- Bon (Tibetan religion) --- History. --- Doctrines --- Manuscripts.
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Selecting and excerpting, summarizing and canonizing, arranging texts and visual signs in manuscripts appear to be universal practices. This volume analyses the fascinating vicissitudes of birth and development, growth and decrease, of manuscripts consisting of more texts (‘multiple-text manuscripts’), at the example of a vast array of manuscript cultures, from the Indian, African, Christian, Islamic, and European domains.
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